I am not a horse.
crucialpizza:

(via Instagram)

almost exactly what this summer is going to be like

radiomaru:

velcrochick:

I like this panel so I slapped some color on it and made it into a little gif thingy. Cute, right? (click for the big version!)

this already has 4500 notes before i reblog it!

I saw this the other day but haven’t had a chance to reblog it until now. I have said many times that this is one of my favorite scenes in the series.

LUKE SULLIVAN TESTS HIS THEORY THAT CREATIVITY IS EXACTLY LIKE WASHING A PIG

I love this so much

adteachings:

If you don’t already know who Luke Sullivan is, please open another browser window, go to Amazon-dot-wherever, and order this book:

One of the book’s many memorable insights is that creativity is exactly like washing a pig. Well, anyone can say that, but Luke has gone one step further:

 

The details of the experiment can be read on Luke’s blog, which you’ll find here: 

http://www.heywhipple.com/2012/04/30/why-creativity-is-exactly-and-i-mean-exactly-like-washing-a-pig/

This is what my life feels like now.

This is what my life feels like now.

radiomaru:

mr gif just sent me this

radiomaru:

mr gif just sent me this

 - Super Morrissey Bros.
[Flash 9 is required to listen to audio.]
828,389 plays

postpunk:

katbeee:

Super Morrisey Bros — 8bit Nintendo-esque rendition of The Smith’s “This Charming Man”

Would play this video game. Would you have to meet someone at the Cemetery Gates to tell them the Queen is Dead?

okay i’ll take it

Ha.

regginageorge:

Wallace is one of my favorite fictional characters of all time.

adteachings:

I often see student ads attempting what was achieved in this 2008 campaign for Ugly Mug Coffee. Why do they almost never succeed? Well, for starters, writers with Bryan Judkins’ obvious talent are very rare indeed. But talent alone can’t explain the sharp wit and insight contained in this work.

I would be willing to bet that another reason for the quality of these ads was the writer’s acceptance of the need for endless revision and refinement. If there are 700 words of copy in the ads above, there were probably another 3,000 words of copy that Bryan whittled away and discarded. (I don’t know Bryan, but I would still feel pretty secure making that bet.)

By contrast, the student and junior pieces I see seldom show this kind of dedication to craft. It generally seems as if the student sat down at his Mac with an InDesign file open, and then got up twenty minutes later when there was no more room for type.

Copy is rightly regarded as a visual element in and of itself. (And this is a good time to show major respect for art director Trevor Williams and the fantastic typographers at Yee-Haw Industries.) But art direction like this promises that the copy will be very much worth reading. And so, my young copywriting friends, you must prepare yourselves to keep that promise.

The credits are below. Special thanks to http://getbeta.tumblr.com/ for alerting me to this campaign, which I’m embarrassed to say I had never seen before.


CLIENT: Ugly Mug Coffee
AGENCY: Young & Laramore, Indianapolis
CREATIVE DIRECTOR: Charlie Hopper
ACD / COPYWRITER: Bryan Judkins
ACD / ART DIRECTOR: Trevor Williams
LETTERPRESS TYPOGRAPHY: Yee-Haw Industries
STRATEGY: Tom Denari, Margit Fawbush, Christian Mehall
PHOTOGRAPHER: Harold Lee Miller, Gary Sparks

radiomaru:

Early Ramona design, 2003

radiomaru:

Early Ramona design, 2003